Colourrs of Love

A government clerk on election duty in a conflict-ridden jungle of Central India tries his best to conduct free and fair voting despite the apathy of security forces and the looming fear of guerrilla attacks by communist rebels.

When six families find themselves without a home after their illegal building is razed down by municipal authorities, they decide to take revenge against the realtors who sold them their flats.

The movie is about reincarnation and because of a mother's sins the daughter has to pay for it. The story is about a woman who in her first birth did not believe in god and then due to certain circumstances dies. In her second birth, she was married to the same person but this time she believed in god but was desperate for a child and when she gave birth to a child, she became a statue. For every sin there is a punishment. However, the child she had given birth to was thrown away and a poor family brought her up. She was treated as a servant there. She was thrown away from there too and then she fell in love with a boy named Mangal. Will she ever be able to meet her biological mother? What is the reason for the sorrows in her life?

A very clever parrot lives in a Hindu palace, surrounded by many beautiful girls, but the parrot escapes, and is trapped far from the palace. One day, when its new owner is sleeping, the bird convinces a young boy to open the cage door. In return, it shows the boy a secret passage to get into the palace.

A Bollywood film.

Takes a slightly different look at various layers of life in a city like Mumbai through the eyes of Ram Saran (Manoj Bajpai), a garage mechanic who hails from a small town. The film is also about his interaction with the different layers of society that is prevalent in the city.

A young boy Lukram, hailing from the state of Manipur, situated in the Northeastern part of the country, is a football enthusiast and enrols in a Lucknow-based college to realise his dream of playing for the Indian national team, but his dreams start to crumble when he is subjected to blatant racism and zonal politics that is prevalent in this sport’s team-selection process.

The Editor and owner of a popular publication called 'Meri Zabaan" goes missing, believed dead, as he, Vikram Singh (Vinod Mehra) attempted to expose some big-wigs, leaving his young son, ...

A poverty-stricken woman raises her sons through many trials and tribulations. But no matter the struggles, always sticks to her own moral code.

This is a story of feudalism in it's raw state. The tonga and a certain simplicity of the village folk is exploited by the Jagirdar and his cohorts. Until the Chowkidar and a doctor -the only son of the money-lender- who initially obtains goodwill by curing people, and providing financial assistance for recovery want to start a change. The influence of the Jagirdar, incites the villagers and his thugs frame the Chowkidar, the doctor and threaten the well being of two women. Throught the film the Jagirdar deals with the sins of his father, will he be able to be a man, and acknowledge the crime of his father?

Two close friends, Neelu and Madhu, agree that men cannot be trusted, and as such decide to dump their current boyfriends, and marry someone else who meets with the approval of their parents. Shortly thereafter, Madhu is introduced to Chandrakant, whom she likes, and soon both are married. On their honeymoon, she meets with Neelu, who has married Deepak, also her parents' choice. Both are delighted to see other, and cannot wait to meet the others' spouse, little realizing the shock they will get when they do so.

Shri Krishna Leela is a 1971 Hindi religious film directed by Homi Wadia. It was produced by his Basant Pictures banner. Written by B. M. Vyas, the story and dialogue were by S. N. Tripathi.

Samar wants to be successful in life but his parents force him to get married. His wife is shy and reserved and Samar does not like this. The other members in the family often ill-treat her.

A naive bullock-cart driver falls for a traveling dancer.

A young lawyer is involved with a ghostly woman in his new house, where the builder and his fiancée died shortly after it was built.

A stressed father, a bride-to-be with a secret, a smitten event planner, and relatives from around the world create much ado about the preparations for an arranged marriage in India.

Asha Parekh plays an unmarried woman in her 30s, past what society considered the marriageable age. Her younger sister played by Bindiya Goswami has a fiancée Mithun Chakraborty. She feels guilty that she is about to have a happy married life, while her older sister will be all alone by herself. She sets out to find a husband for her. When she sees her sister admire Utpal Dutt on television, she brings him into their lives. Unfortunately, Utpal Dutt falls for Bindiya Goswami and isn't aware that Asha Parekh has fallen in love with him. How Bindiya untangles herself from this situation and gets Utpal Dutt and Asha Parekh together forms the rest of the story.

A newer version of the popular love story of Heer (Sridevi) and Deedho (Anil Kapoor), who calls himself Ranjha after leaving his house and living incognito in Heer's village as a labourer in her father's (Shammi Kapoor) house. Heer and Deedho were childhood sweethearts, separated because of family animosities, which have grown over the years and kept on the boil by Kaheda (Anupam Kher), whose leg was irreparably fractured by Deedho's family and friends.

This film suggests a network of hierarchical relations between people through sometimes subtle and at other times blunt illustrations.

In a poetic hour and a half, director Mani Kaul looks at the ancient art of making pottery from a wide variety of perspectives.