100 Poems for Stella

This is the first Filipino feature-length film made by a Filipino director regarded as "Father of Filipino Movies" and is now lost forever. Dalagang Bukid is a story about a young flower vendor named Angelita, who is forced by her parents to marry a wealthy old man, Don Silvestre, despite her love for Cipriano, a law student.

War exploitation low budget flick about JAP atrocities on captured women.

Due to a delayed flight, a group of German flight passengers had to wait in the hall of the airport of Manila. The crowd was quite mixed, ranging from a cultivated eastern German teacher couple up to sleazy sex tourists. As the waiting prolonged, more and more aggressions and long-repressed behaviors shed their way to the surface.

Circus hijinks surround the barangay of Sta. Maria in the midst of an international murder sensation. Swanie, Sta. Maria’s barangay chair and a distant relative of the killer, tries to gain political points by staging a wake for the criminal-turned-celebrity. Meanwhile in faraway Manila, Joanna, Swanie’s runaway son, navigates his way through labyrinthine bureaucracy, to give a neighbor a proper burial. With these two unrelated deaths, estranged mother and son each bury the dead long shelved in their hearts. Amidst these unspoken family burials, the neighborhoods’ penchant for funeral fiestas, gossip and secrets, bizarre social events and the sheer mix of scandal and inebriation complete the picture of dying the Pinoy way.

It's the story of a young woman, whose husband, is arrested by the soldiers of a Japanese garrison, on the suspicion that he is a guerilla. Dizon pleads her case to the garrison's commander, who sympathizes and lets Yllana go; when the commander's wife dies and leaves their son motherless, Dizon, is hired to feed the baby from her own breast.

The title “Kamera Obskura” is a Filipino spelling of the latin “Camera Obscura” which simply means “dark room”. The film’s concept adheres to formalist cinema, where the filmmaker’s thesis is to make a semblance of a vintage film seemingly produced sometime in the late 1920s to early 1930s in the Philippines. The thesis is to conjure up a film from a period that did not really exist in Philippine cinema’s historical cultural heritage as we know it, such as a pseudo-expressionist / experimental Filipino cinema of the silent film era. It is a film within a film. The narrative plays with the idea of a retro-futurist world where a prisoner locked away in a dark chamber for over two decades only sees the reality of the world outside through the small hole in his cell, which projects an image of the city on his wall, the phenomenon of the “camera obscura”.

Every night, Nana Lusing lies on her bed sleepless because she sees a dark figure looming in her room. Who is this shadow? Is this the devil? Her late husband? A manifestation of her anxieties? Or simply a figment of her imagination?

Intoy has had the hots for Doray since they were kids in Kalye Marino, Cavite City, formerly the American Naval Base in Sangley Point. Both marginalized as the long-lasting effect of American abandonment of the said base, Intoy has become Kalye Marino’s best “tahong” caretaker-with-no-angst-about-poverty, while Doray a cheap prostitute-with-no-guilt, tending to her siblings’ needs. Intoy strives to have his own cages of “tahong” so he can have Doray, not for just a night of quickie sex, but forever. But what will he do to when she offers to drop by his hovel-on-stilts to quench his passion, but before it happens Nature has chosen to play a joke on his tahong cage? Will it be goodbye to his tahong business or to his damsel-in-distress and ultimately to Kalye Marino? From Eros S. Atalia’s 2001 Palanca Grand Prize-winning Short Story, Intoy Syokoy ng Kalye Marino is a love tale minus the obligatory romantic sentiments.

It is the time of El Niño, a season ruled by superstition and fear. The rain is long in coming, the ground has cracked up dry. The ricestalks are thin and sickly. Villagers go hungry. And a boy dies from a snakebite. The adults splinter. Some pray. Others join a cult to appease earth spirits and wait for the ada, the ricefield spirit goddess of bountiful harvest who dances naked on moonlit nights and signals the need for a virgin’s sacrifice. There are fence sitters, equally pro-church and pro-cult. A landlord’s steward enforces his master’s usury on hapless farmers. A self-righteous priest says rain must first be deserved. Two young women fight for the right to do with their bodies as they please. A bastard boy and a blind girl come of age. Yesterday, they were children.

The long-standing conflict between the military forces and the rebel group Abu Sayaff has severely ravaged the poor town of Patikul in Sulu. Residents have become so accustomed to the armed clashes, that reports of kidnappings and recruitment of young Tausugs to join the rebel groups already became normal news to them. However, Amman, a 33 year old coffee farmer in Sitio Kan-Ague, continues to believe that there is still hope for their town. Amman believes that educating his children would change their present situation.

Sarah is a nurse at a Public Maternity Hospital. The hospital is abuzz with pregnant mothers of all shapes and sizes in different stages of labor. The hospital is short on staff on Christmas Day so Sarah is forced to put in a double shift. Sarah observes the women coming and going in her ward, noting who is a first-timer and who is a veteran. Meanwhile, the wards are overcrowded : two women and their babies sharing single beds while those in labor are spilling unto the hallways. Sarah takes these all in stride, her heart and mind laboring over her own personal pains.

A coming of age story about Isabel’s lessons and realizations on life and death as a funeral videography intern. Due to her family situation, Isabel is cynical and skeptical of everything that comes her way. When she enters the I-libings for her required college internship, she sees it as the worst internship her college adviser could suggest to her. Later as she accumulates her required hours, she realizes that the company is not just a place where videographers make money out of other people’s misfortunes but is a place where the dead and the grieving receive special attention. It all comes full circle when Isabel is faced with an unusual family tragedy. Isabel realizes that her internship might have been just 200 hours, but the lessons that the I-libings left her would last a lifetime.

Irene changes her identity to Becky after a tragic scandal. While living as Becky, she falls for Armand, but is eventually blackmailed by his family over her past. She then reinvents herself as Leah, a high-fashion model. She engages in an intense, manipulative relationship with Jaime, a wealthy hedonist. When she eventually reunites with Armand, she finds herself torn between the man she truly loves and the matchless sexual partner who has awakened her darkest desires.

A young womans gets married but her possessive father refuses to let her out of his sight.

Loosely based on the controversial British erotic novel "Lady Chatterley's Lover" by D.H. Lawrence, the story chronicles the amorous exploits of a winsome young bride. When her affluent but crippled spouse fails to fulfill her physical desires, she seeks sexual satisfaction outside her marriage by taking a lover.

Trining and Mario are a young married couple who are happy with their lives. However, Aling Badang, the titular mother-in-law who did not laugh, is very serious all the time. Will she ever feel happiness and laughter or just become frowning serious woman forever?

A young woman recalls how her father (a fallen priest), her mother (a woman with a secret past) and her teenage sister returned with her to live in their ancestral home after the family business failed. She was plagued with mysterious problems of sleepwalking and began a romance with a young man who tried to cure her.

When a Filipino teen is found fatally shot on the streets of New Jersey, the investigation into his death reveals the struggles of the Filipino-American community, including the horrifying effects of methamphetamine on its youth.

Exposé of two news photographers covering the People's Revolution in the Philippines.

Faced with Philippine President Rodrigo Duterte’s bloody murders and brazen lies, ethically conflicted police lieutenant Hermes Papauran continues his struggle to find a resolution to a 15-year-old case around a volcanic ash-laden landscape and an impenetrable lake.